When Genesis and Bel begin trying to find Evan, he escapes from the house, only to be stopped and held at gunpoint by Genesis. The sadistic girls trash the house, torment and torture Evan, cut his hair, and force him to play hide and seek. They also use both Evan's and Louis' phones to text and make it look like Louis discovered that Evan had an affair with Louis' wife and because of this, was murdered by Evan. The giggling girls turn Louis' corpse into a red sculpture and dig a makeshift grave in the backyard for Evan. As he tries to get it back, he slips on a piece of the sculpture, hits his head while falling, and dies. He runs to stop them, but then has an asthma attack and realizes they have taken his inhaler. Louis arrives to collect the sculpture and finds Evan, but before he can help him he hears the girls smashing the vandalized sculpture. He charges at Genesis, but she stabs him with a fork she and Bel tie him to a chair with an electrical cord.
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However, Evan breaks free and knocks Bel to the floor. He is tied to his bed, and Bel rapes him while Genesis records everything, calling him a pedophile. Evan initially refuses, but the girls threaten to FaceTime his wife with him unless he agrees to do what they demand. Bel climbs onto him in an attempt to arouse him while role-playing as a schoolgirl in his daughter's school uniform. When he stoops to pick up a broken picture frame of his family, Genesis knocks him out with one of his wife's sculptures. Just as he is getting closer to completing his project, he hears a shattering noise. He then returns home, cleans the mess the girls have made, and tries to go back to his work. When Evan threatens to report a break-in, they give in and agree to be taken home. Vivian ( Colleen Camp), a friend of Karen's, stops by to see if Evan needs help. When Evan threatens to call the police, the girls claim they are underage. The next morning, Evan finds out that his wife's sculpture has been vandalized by the girls.
He tries to convince them to leave, but as they start forcing themselves upon him, he gives in and has a threesome with them. Evan brings them their clothes and finds them nude.
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They then disappear to the bathroom when their driver arrives. The girls make themselves at home and flirt with Evan while he orders an Uber for them and plays a few of his old vinyl records from his days as a DJ. He gives them robes so they can dry their clothes in his dryer. As their phone is not working, Evan allows them in to dry off and use the Internet to get hold of the party's host. Soaking wet, they tell him they are looking for the address of a party. Two women, Genesis ( Lorenza Izzo) and Bel ( Ana de Armas) knock on Evan's door during a rainstorm. His wife Karen ( Ignacia Allamand), a successful artist, leaves their assistant Louis ( Aaron Burns) in charge of her sculpture that needs to be moved to an art gallery for her show. There is one use of very strong language ('c**t'), frequent strong language ('f**k', 'motherf**ker'), discriminatory language ('retard') and some drug references.Architect and happily married man Evan Webber ( Keanu Reeves) has the house to himself and his dog, Monkey, on Father's Day weekend due to work and a physical therapy appointment for a shoulder injury while his wife and children go on a family-planned beach trip.
There are scenes in which the women expose their breasts and buttocks and mime sexual activity. However, it is clear that the man is not her real father and there are no scenes of incestuous sex in the film. The woman having sex refers to having committed incest with her father and, during the sex scene, repeatedly refers to the restrained man as 'daddy'. In another scene, the man is tied to a bed and forced to have sex with one of the women while she is role-playing as a schoolgirl and wearing a school uniform, and as the other woman films the activity. In one scene, the man has sex with both women in a scene that features strong nudity. The man is also forced to watch while the women vandalise his home. In one scene, a woman stabs the man in the chest with a fork which is then twisted in the wound. There is a focus on strong, sustained and sadistic threat in scenes where the man is held captive, tied up, tortured and verbally and physically assaulted. KNOCK KNOCK is a thriller about a man who is terrorised in his house by two young women.
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